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"The vibrant and lavish colors, at times reminiscent of Maxfield Parrish and at others of illustrator N.C. Wyeth, look larger than life with their brilliant hues." Read more...
Actual transparencies (slides) left. Bob uses no color filters or digital manipulation. The prints look exactly like the transparency (slide) film they were shot on which, in turn, looks exactly like the original scene. Read more...
Super fine-grained film, a camera that produces oversized transparencies, a rock-solid tripod, days spent finding the right location and composition, waiting for the right weather—then painstakingly producing the prints—results in a print so detailed it almost jumps off the walls and remains interesting for years. Read more...
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